“Being an artist means,
not reckoning and counting, but ripening
like the tree
which does not force its sap
and stands confident
in the storms of spring, without the fear
that after them may come no summer.”
— Rainer Maria Rilke
Let me be your wildflower
I felt it in my heart, one fine morning of spring, whilst I wished I was somewhere else, doing something important in some ways, I felt that perhaps I could let You in (…)
I felt it in my heart,
One fine morning of spring
Whilst I wished I was somewhere else,
Doing something important in some ways,
I felt that perhaps I could let You in,
For once,
Stay still,
Have the windows wide open
And remember,
What it feels like to have a Father
I can take by the hand and trust
To climb mountains,
To cross rivers,
To climb trees,
And to whisper amongst the branches…
I promise You.
Not to worry so much about these things,
To think only of Your peace,
Or as they would say here, Your justice.
I promise
To be Your wildflower, Lord
Gentle,
And loving,
Swiftly gone
If you will,
Just say the word
Or send Your wind.
I promise
To serve,
And think only of this:
To see them happy,
To get tired
So they may be free.
I promise
To become your refuge,
Your garden of quiet and beauty
So that You may know
That you can rest in me.
Let me be Your wildflower, Lord
And I promise to spend the rest of my days
Alone,
Making you feel in my heart
Like at home. —
I am
I am, as a tree is, at sunset, a golden stream. In the depths of doubt, a rock without shield (…)
I am
As a tree is
At sunset,
A golden stream.
In the depths of doubt
A rock without shield
I am
The space in between
A warrior in spirit
A thousand years-old
An ever looking soul
I am
Only to be found
In the quiet and the now
And when I look for myself
In pain, hurry or blind
I know that coming back
To where I stand now,
Forever more
I am who I am. —
Imperfect
I can read them, again and again, a thousand times on hand, they won’t get any better or any worse. They are what they are (…)
Inspired by a phrase from Brianna Wiest, in her book: The Pivot Year
I can read them
Again and again,
A thousand times on hand,
They won’t get any better
Or any worse.
They are what they are,
Poems,
Or better said:
I was born with these chains.
So I either touch the paper
And keep the thread,
Accept that who I was is who I am,
Or I bleach it all,
Kill everything,
Make art as pure as souless
And be liked, at best.
I don’t recognise my voice
When I believe they stare,
I can’t give anything
If I still think: “I want to help”.
Be foolish, and expose myself?
And hope that this nauseating fear
Will let me breathe
Now and then?
Or wait.
Re-read, erase.
Do it all again.
Serve coffee, be safe
Until I leave this mortal shell.
I thought that
How bad I wanted this
Was useless to mention
So be brave,
Feel it:
There was a purpose to this imperfection. —
The sound of life
I’ve walked alone
Far
And far
Down many roads.
Until I found a place
Where I could long
For silence.
Little did I know
That silence wasn’t there.
Wherever I went
It never came.
But I did hear
The sound of life
Roaming the field
Like a newborn
Breathe
At last.
I have so much left to cry
I have so much left to cry. Did it occur to you? That perhaps behind those many smiles lies a silence that won’t die. (…)
I have so much left to cry.
Did it occur to you?
That perhaps behind those many smiles
Lies a silence
That won’t die.
I have so much left behind.
All of those days
Of joyful trust
And of those dreams
Barely untouched…
I never came to realise
That I had so much left to cry
Before I’m ready
To hold one’s gaze,
Before the sun
Can rise again.
I have so much left to fear,
And question,
And pray for.
So much to be seen
And cared
And fought for.
And as I know,
This day will come:
Inevitable rise,
From the depths
Of a black-ink storm,
I shall soon get up
And fill the sky
With bursts of laughter
And merry light
But I have so much left to learn
That I don’t know
Which one will first
From my mistakes
Or deepest hurts
Teach me the greatest way
To grow.
I feel them roll and roll,
Like long time dreams
Buried in snow
Down by my cheeks,
Gently, they roll.
So I stop by the window
And sit.
The winter cold
Blushing my cheeks
Gives me a little time.
To rest
And think.
I can see clearly now
From a bird’s eye view...
All the days I have denied
Fighting with fierce for what was mine
I never seemed to understand
That overwhelmed and somewhat tried
I still had so much left to cry. —
How strange
How strange
To come back to a place
Where your roots grew
But never set,
Where your soul lies
But never rests.
How strange
To come back to a place
Where no one can
Call you by name,
Where people laugh
But never change.
How strange
To come back to a place
Where you belong
But never stayed.
Is it my place ?
I cannot say.
From memories,
One sings
And laughs, and hurts
Sometimes
But to come back...
To come back
Is to open your favourite book
Where its pages were torn. —
I have longed to move away
I have longed to move away, from the hissing of the spent lie and the old terrors' continual cry, growing more terrible as the day, goes over the hill into the deep sea (…)
I have longed to move away
From the hissing of the spent lie
And the old terrors' continual cry
Growing more terrible as the day
Goes over the hill into the deep sea;
I have longed to move away
From the repetition of salutes,
For there are ghosts in the air
And ghostly echoes on paper,
And the thunder of calls and notes.
I have longed to move away but am afraid;
Some life, yet unspent, might explode
Out of the old lie burning on the ground,
And, crackling into the air, leave me half-blind.
Neither by night's ancient fear,
The parting of hat from hair,
Pursed lips at the receiver,
Shall I fall to death's feather.
By these I would not care to die,
Half convention and half lie.
— Dylan Thomas, 25 Poems, 1936.
“It does come. But it comes
only to the patient,
who are there as though eternity lay before them,
so unconcernedly still and wide.
I learn it daily, learn it with pain
to which I am grateful:
patience is everything!”
