#11 - ‘Historias del gas’
or ‘Gas meter stories’
02/09/23 — Thoughts
I was the girl who, on her first day at middle school, wore purple ballet flats with orange socks and green polka dots. People were whispering as I walked by, but I was smiling, handing out candies. I had no awareness of how ridiculous it all looked. I was coming down from the mountain, you see.
God, how I’d love to return to that state of (un)awareness. But I have gone too far. I have built a corset over the years that has worked wonders. As I tightened it, my face turned purple and people applauded. Now, I am doing everything I can to find myself again.
It's painful, frustrating, terrifying, even. But no, it goes further than that. It's agony, actually. The birth of the authentic self through the death of the fabricated self. You better hang on. —
19/10/23 — Núria
I think there is something in the phrase ‘I need help’ that the universe is particularly sensitive to.
This morning, no one is opening. It's NO, and NO, and NO, and a boss who says I'd better not go home until I achieve [such] percentage.
Upon entering her home, though, the voracious monster that, night and day, devours me from the inside, suddenly calmed down. Everything is dark, but it is a warm darkness. In the kitchen, alone, a lit candle and a tiny image of Mary.
I exchange a few words with the lady, Núria, who is quite elderly. She tells me that she has difficulty walking. I tell her that I've had a bad day, so suddenly, two souls connect. She takes my hand and offers me a pear.
‘Wait a moment, I'll wrap it up in a bag for you.
— No, I said. Please... I'm hungry.’
In those two words, ‘I'm hungry’ and the pity my gaze must have inspired her, she read everything. She said nothing, rinsed it under water and handed it to me.
So here we are, another awful day, but soon everything will be better, and I'll only remember this gesture: a hand reaching out and one person talking to another as if she were human.
It's nice, for a change. —
There are two types of gas meters: those located inside people's homes and those found on rooftops. When we have to knock on people's doors, the company, by law, is required to leave a notice — an A4 paper sheet stuck on the door of the building the week before. It is on this paper, collected throughout the day, that I write most of the time.
This morning, as I started on the rooftops, I didn't have anything to write with, and it was really itching me. So I started ringing doorbells, and in barely an hour, I had already collected a nice haul (of sheets, that is, not meters. At that hour, no one answers the door).
And I started thinking... One year. I didn't think I would last that long. A year ago, I hit rock bottom. I had €1.47 in my bank account and I was counting my coins to buy wrapping paper for my parents. I cried a lot, prayed little, and put more trust in bad relationships than in my own abilities in God to get me out of the pit. A year ago, I was afraid to take the underground, I was singing my first concerts. I was anxious about everything and sweating day and night over money. A year ago, I cut my own hair with Ikea scissors and used the weekly grocery budget to buy a jacket that was supposed to solve all my problems. A year ago, I was losing heart, I was losing myself.
Well now, it’s been a year I've been humming as I get off the bus and practising my solos in stairwells. Now, I find it hard to recognise the person I see walking onto the stage and standing in front of everyone, whispering, my heart bursting with gratitude: ‘Here I am.’
There was a miracle, and it started like this: with a community. So yes, we have to put up with each other, day after day. We have to learn not to judge mistakes, excuses, moods and bad days too harshly. Because without each other...
Finally, it occurred to me this morning, as I watched the sun paint the whole city gold, that I no longer have any reason to fear anything. I have reached a stage in my relationship with God that gives me the certainty (and the peace that goes with it) that everything is under control. He takes care of every little detail of my life, like a painter in love, and I have nothing to fear. Bosses will get angry, money will run out, friends will be stubborn, that's the way the world works and I can't blame it for that. But I no longer let these things hurt me. I write, I breathe. The sun rises, and from the rooftops, I’m smiling.
* * *
In that building, practically no one answered the door, a dog bit me in the lift, and some idiot slammed the door in my face. But when I left, I didn't care, I had a smile on my face. For my bosses, it was a failure. For me, it was a resounding success: everything I've written since earlier, I did on this very paper. —
My collection of staircases
07/02/24 — Nayla
She fell to earth like a comet crashes into the desert.
I've been having strange dreams for two days now. Sordid dreams, to be honest. When I wake up, I can't shake the shivers that run through me when I think about them.
There was a bombing, secret underground tunnels, people I knew who were going to die; I knew it, and I couldn't say anything. The visions were so strong that I couldn't get up right away. I crawled to the sofa and went back to sleep, trying to dream about something else. The coffee was brewing. And I dozed off again after breakfast.
I wish I could say that after getting on with the day, things got better, but it wasn’t the case. I dragged myself from one street to another, suspicious, counting the minutes until 3:30 pm (I started late, obviously).
That's when she appeared.
I rang a doorbell (one of the 416 I had to ring today) and all I got in response was a racket, a bang, a muffled commotion behind the door. I waited. Nothing. Waited some more. ‘El gas...’ I tried, unconvinced.
Then a little voice through the door said, ‘Wait. Wait, eh?! The door is locked.’ I said, ‘Okay, I'll wait,’ in the same tone as the little girl who had given the orders. ‘The door is locked,’ she repeated. ‘He went to get the keys.’
A moment later, “he” finally opened the door. A tall man, speaking in monosyllables. She must have been seven or eight years old. The brown skin of desert children, eyes as black as ebony. She stared at me without saying a word, as if it were the most natural thing in the world — that I should be there, in front of her, and that she should be there, in front of me, opening the door of her home, naked as a jaybird.
She let me in, and the father followed us. I finally found the meter and took my photo. The grandmother was in the kitchen — you could see at a glance that she wasn't quite sane. The house was dirty and messy, my shoes were sticking to the floor, and it was best not to touch the walls.
She said something to me in her pretty, impetuous tone, something that rolled off her tongue. I didn't understand and it almost made me want to apologise. Her father translated: ‘No, nothing. She's just telling you she has candies.’ I replied — to her — that she was lucky.
I wanted to ask her a thousand questions. As if within the body of this wild child laid all the answers in the world, a thousand-year-old wisdom, this profound connection that, at its core, links all cultures together.
If I had said, ‘What is time?’ or ‘Why are we on earth?’, she would have had the answer, I was certain of it.
But instead, the door closed. She disappeared, along with her wildness, her strange little air and her furious freedom.
I went down a few steps so that no one could see me, then I began to scribble down all my impressions, the tiny details that had struck me in a matter of seconds.
I named her Nayla, because it means “she who has big eyes” in Arabic, and because it's the name I would have given to the queen of a free country of the desert if I could have created one.
Then, as I left the building, I turned around and looked up at the floor where she lived. A strange feeling came over me. I checked the time, then looked at the window again. Shouldn't children be at school on a Wednesday at eleven o'clock? —
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